CC0: Released under Creative Commons Zero (CC0). Free for any use, including commercial, with no permission needed.
Courtesy of The Metropolitan Museum of Art. No credit is required.
Download the full-resolution file (2,592 × 3,952 px)

Exhibition "Stare" Case

Thomas Rowlandson · 1757–1827

Maximum print size

21.8 × 33.5 cm · 8.6 × 13.2 in

at 300 DPI from the 2,592 × 3,952 px original. Comfortably fills a standard 8×10 inch frame.

Frame: 40.6 × 50.8 cm · 16.0 × 20.0 in
Mat opening: 21.8 × 33.5 cm · 8.6 × 13.2 in
Mat border, sides: 9.4 cm · 3.7 in
Mat border, top and bottom: 8.6 cm · 3.4 in

Colour palette

Download

Details

Date: 1811?
Medium: Etching, hand colored
Type: Prints
Size: 47.6 × 33.2 cm · 18.7 × 13.1 in
Orientation: portrait
Subjects: Men, Satire, Women
Collection: The Metropolitan Museum of Art ↗

Works with a similar palette

The Ameya

Robert Frederick Blum

An Arctic Summer: Boring Through the Pack in Melville Bay

William Bradford

Still Life—Violin and Music

William Michael Harnett

Euphemia White Van Rensselaer

George P. A. Healy

Eaton's Neck, Long Island

John Frederick Kensett

The Rajah Starting on a Hunt

Edwin Lord Weeks

The Red Bridge

Julian Alden Weir

Arrangement in Flesh Colour and Black: Portrait of Theodore Duret

James McNeill Whistler

More by Thomas Rowlandson

The Saw-Setter

Thomas Rowlandson

Study for "A charm for democracy, reviewed, analyzed, and destroyed January 1, 1799" (recto and verso)

Thomas Rowlandson

An Irish Howl

Thomas Rowlandson

The Q A loaded with the spoils of India and Britain, March 6, 1788

Thomas Rowlandson

The Sot (The English Dance of Death, plate 12)

Thomas Rowlandson

Raising the Wind

Thomas Rowlandson

A Counselor's Opinion After He Had Retired From Practice

Thomas Rowlandson

Filial Affection, or a Trip to Gretna Green

Thomas Rowlandson