CC0: Released under Creative Commons Zero (CC0). Free for any use, including commercial, with no permission needed.
Courtesy of The Cleveland Museum of Art. No credit is required.
Download the full-resolution file (5,817 × 3,502 px)

Herodias: Page 55, Cul-de-lampe

William Walcot · 1874–1943

Maximum print size

49.3 × 29.7 cm · 19.4 × 11.7 in

at 300 DPI from the 5,817 × 3,502 px original. Comfortably fills a standard 11×14 inch frame.

Frame: 61.0 × 45.7 cm · 24.0 × 18.0 in
Mat opening: 49.3 × 29.7 cm · 19.4 × 11.7 in
Mat border, sides: 5.8 cm · 2.3 in
Mat border, top and bottom: 8.1 cm · 3.2 in

Colour palette

Download

Details

Date: 1928
Medium: etching
Type: Print
Origin: England, 20th century
Orientation: landscape
Collection: The Cleveland Museum of Art ↗

Works with a similar palette

The Rocky Mountains, Lander's Peak

Albert Bierstadt

At the Seaside

William Merritt Chase

Arques-la-Bataille

John Henry Twachtman

Self-portrait miniature

John Singleton Copley

Mäda Primavesi (1903–2000)

Gustav Klimt

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille

Jacometto (Jacometto Veneziano)

Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck

Jacometto (Jacometto Veneziano)

The Hours of Jeanne d'Evreux, Queen of France

Jean Pucelle

More by William Walcot

Downtown Manhattan from the East River, with the Woolworth Building

William Walcot

Herodias: Page 47, Her feet stepped one before the other

William Walcot

London Set: Piccadilly Circus (with Criterion Theatre)

William Walcot

Lower Broadway, Down-Town New York

William Walcot

London Set: Horseguards

William Walcot

Herodias: Page 45, But now beginning at the farthest end of the banquet hall a murmur of surprise and admiration. A young girl began to enter

William Walcot

Trafalgar Square

William Walcot

Picadilly Circus

William Walcot