Hue Index

The Cleveland Museum of Art

Open-access works from The Cleveland Museum of Art, indexed with computed colour palettes and print sizes.

Works in The Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Seventeenth Night, from a Tuti-nama (Tales of a Parrot)

Sravana

The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night

The old procuress conveys the young man’s message of love to Mansur’s wife, from a Tuti-nama (Tales of a Parrot: Seventeenth Night

Sravana

The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night

The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night

Basavana

The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night

Bihzad

The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night

The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night

Dasavanta

The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night

The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night

Dasavanta

The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night

The monkey slain, his blood to be used as medicine for the ailing prince he has bitten, from a Tuti-nama (Tales of a Parrot): Fifth Night

Basawan​

The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night

The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night

Basavana

Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page

Basavana

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night

The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night

Basavana

The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)

Dasavanta

The astrologer predicts a calamity for the newly born prince in his thirteenth year, but one which he would be able to overcome, from a Tuti-nama (Tales of a Parrot): Eighth Night

The astrologer predicts a calamity for the newly born prince in his thirteenth year, but one which he would be able to overcome, from a Tuti-nama (Tales of a Parrot): Eighth Night

Banavari 1

A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Night

A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Night

Gujarati

Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot), Eighth Night

Landscape with a lotus pool, from a Tuti-nama (Tales of a Parrot), Eighth Night

Gujarati

The prince, once reprieved, is returned to the palace of execution a second time on the plea of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

The prince, once reprieved, is returned to the palace of execution a second time on the plea of the king’s handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

Gujarati

The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night

The deceitful wife assaults her erring husband, from a Tuti-nama (Tales of a Parrot): Eighth Night

Tara 1

The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Night

The handmaiden again appeals for justice and the prince is led to the place of execution for the third time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Gujarati

The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

The handmaiden appeals for justice and the prince is taken to the execution site for the fourth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Tara 2

The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

The prince’s ordeal continues, he is ordered away to be executed for the fifth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Ghulam 'Ali

The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night

The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night

Shravana

The deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night

The deceitful wife ejects the procuress after blackening her face, from a Tuti-nama (Tales of a Parrot): Eighth Night

Shravana

The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

The prince sent back to the place of execution for the sixth time, from a Tuti-nama (Tales of a Parrot): Eighth Night

Suraju

The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night

The handmaiden again pleads for the death of the prince, from a Tuti-nama (Tales of a Parrot): Eighth Night

Lalu

The young prince recounts his experiences to his father, the king, from a Tuti-nama (Tales of a Parrot): Eighth Night

The young prince recounts his experiences to his father, the king, from a Tuti-nama (Tales of a Parrot): Eighth Night

Suraju

The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night

The young prince is crowned and the wicked handmaiden is executed, from a Tuti-nama (Tales of a Parrot): Eighth Night

Suraju

The parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night

The parrot brings a fruit from the Tree of Life to the king of Syria, from a Tuti-nama (Tales of a Parrot): Ninth Night

Lalu

The old man eats of the fruit of the Tree of Life, but drops dead, from a Tuti-nama (Tales of a Parrot): Ninth Night

The old man eats of the fruit of the Tree of Life, but drops dead, from a Tuti-nama (Tales of a Parrot): Ninth Night

Lalu

The king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night

The king plucks fruit from the Tree of Life with his own hands and feeds it to a lady, from a Tuti-nama (Tales of a Parrot): Ninth Night

Suraju

The Parrot Addresses Khujasta at the Beginning of the Tenth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Tenth Night, from a Tuti-nama (Tales of a Parrot)

Iqbal

The vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night

The vizier’s son receives the magic wooden parrot from the wife of the merchant, who is drunk, and has a replica made by a carpenter, from a Tuti-nama (Tales of a Parrot): Tenth Night

Lalu

The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night

The wife of the son of the vizier brings the magic wooden parrot to her lover, the monk, who exchanges it for the replica, from a Tuti-nama (Tales of a Parrot): Tenth Night

Lalu

The monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night

The monk returns the magic parrot to its rightful owner, the merchant, from a Tuti-nama (Tales of a Parrot): Tenth Night

Lalu

The magic parrot of the merchant talks to the vizier’s son, from a Tuti-nama (Tales of a Parrot): Tenth Night

The magic parrot of the merchant talks to the vizier’s son, from a Tuti-nama (Tales of a Parrot): Tenth Night

Lalu

The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Eleventh Night, from a Tuti-nama (Tales of a Parrot)

Banavari 2

The king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night

The king of the Ocean, having assumed human form, arrives at the court of the Raja, from a Tuti-nama (Tales of a Parrot): Eleventh Night

Ghulam 'Ali

The Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot)

Tara 1

The Gotha Missal

The Gotha Missal

Master of the Boqueteaux

The Gotha Missal:  Fol. 1r, Trinity and Resurrection

The Gotha Missal: Fol. 1r, Trinity and Resurrection

Master of the Boqueteaux

The Gotha Missal:  Fol. 1v, Text

The Gotha Missal: Fol. 1v, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 10r, Text

The Gotha Missal: Fol. 10r, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 10v, Text

The Gotha Missal: Fol. 10v, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 100r, Text

The Gotha Missal: Fol. 100r, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 100v, Text

The Gotha Missal: Fol. 100v, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 101r, Text

The Gotha Missal: Fol. 101r, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 101v, Text

The Gotha Missal: Fol. 101v, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 102r, Text

The Gotha Missal: Fol. 102r, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 102v, Text

The Gotha Missal: Fol. 102v, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 103r, St. Andrew Being Tied to the Cross

The Gotha Missal: Fol. 103r, St. Andrew Being Tied to the Cross

Master of the Boqueteaux

The Gotha Missal:  Fol. 103v, Text

The Gotha Missal: Fol. 103v, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 104r, Text

The Gotha Missal: Fol. 104r, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 104v, Text

The Gotha Missal: Fol. 104v, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 105r, Text

The Gotha Missal: Fol. 105r, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 105v, Text

The Gotha Missal: Fol. 105v, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 106r, Text

The Gotha Missal: Fol. 106r, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 106v, Text

The Gotha Missal: Fol. 106v, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 107r, Text

The Gotha Missal: Fol. 107r, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 107v, Text

The Gotha Missal: Fol. 107v, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 108r, The Presentation in the Temple

The Gotha Missal: Fol. 108r, The Presentation in the Temple

Master of the Boqueteaux

The Gotha Missal:  Fol. 108v, Text

The Gotha Missal: Fol. 108v, Text

Master of the Boqueteaux

The Gotha Missal:  Fol. 109r, Text

The Gotha Missal: Fol. 109r, Text

Master of the Boqueteaux