Hue Index

Public domain art that prints at 45.7 × 61.0 cm · 18.0 × 24.0 in

Every artwork here has a source file large enough to print at 45.7 × 61.0 cm · 18.0 × 24.0 in and still hit 300 DPI, the threshold where a print looks sharp rather than soft. Computed from actual pixel dimensions.

Works in Public domain art that prints at 45.7 × 61.0 cm · 18.0 × 24.0 in

The Parrot Addresses Khujasta at the Beginning of the Twenty-second Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Twenty-second Night, from a Tuti-nama (Tales of a Parrot)

Unknown artist

The lion, suspecting treachery on the part of the monkey, slays him and flees, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night

The lion, suspecting treachery on the part of the monkey, slays him and flees, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night

Unknown artist

Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso)

Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso)

Unknown artist

Screen with Landscape (reverse)

Screen with Landscape (reverse)

Unknown artist

Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) and Music (verso)

Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) and Music (verso)

Unknown artist

Mandala of Chakrasamvara and Vajravarahi

Mandala of Chakrasamvara and Vajravarahi

Unknown artist

The Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Eighteenth Night, from a Tuti-nama (Tales of a Parrot)

Unknown artist

The prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

The prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

Unknown artist

The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

Unknown artist

The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

Unknown artist

As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night

As punishment, the jester’s wife and the Zangi are thrown into fire and the emir’s wife and the mahout are trampled by an elephant, from a Tuti-nama (Tales of a Parrot), Twenty-second Night

Unknown artist

Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Habbaza meets Bashir under a tree, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Unknown artist

The monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night

The monkey, serving as the lion’s chamberlain, converses with the lynx and its mate who have arrived with their cubs to settle in the lion’s domain, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night

Unknown artist

The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night

The king dreams of a lady, the personification of wealth, departing from him on account of his purchasing a bowl and a staff from a yogi, from a Tuti-nama (Tales of a Parrot): Thirty-sixth Night

Unknown artist

The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night

The court of the Raja of Ujjain, from a Tuti-nama (Tales of a Parrot): Forty-sixth Night

Unknown artist

The parrot laughs on hearing the Raja of Ujjain’s wife admire her beauty in a mirror, from a Tuti-nama (Tales of a Parrot: Forty-sixth Night

The parrot laughs on hearing the Raja of Ujjain’s wife admire her beauty in a mirror, from a Tuti-nama (Tales of a Parrot: Forty-sixth Night

Unknown artist

The two erring cooks, dressed as maidservants, fall at the prince’s feet and beg forgiveness, from a Tuti-nama (Tales of the Parrot): Fourth Night

The two erring cooks, dressed as maidservants, fall at the prince’s feet and beg forgiveness, from a Tuti-nama (Tales of the Parrot): Fourth Night

Unknown artist

The Brahman, unable to select from the four gifts of the king of the Ocean seeks the Raja’s advice, from a Tuti-nama (Tales of a Parrot): Eleventh Night

The Brahman, unable to select from the four gifts of the king of the Ocean seeks the Raja’s advice, from a Tuti-nama (Tales of a Parrot): Eleventh Night

Unknown artist

Portrait of Sardar Singh (Son of Savant Singh, 1730–68)

Portrait of Sardar Singh (Son of Savant Singh, 1730–68)

Unknown artist

Leaf from a Book of Hours: Calendar Page for May (recto) and Calendar Page for June (verso) (2 of 3 Excised Leaves)

Leaf from a Book of Hours: Calendar Page for May (recto) and Calendar Page for June (verso) (2 of 3 Excised Leaves)

Unknown artist

Akbar and Jahangir Examine a Ghir Falcon while Prince Khusrau Stands Behind

Akbar and Jahangir Examine a Ghir Falcon while Prince Khusrau Stands Behind

Unknown artist

A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso)

A prince conversing with a woman while taking refreshments on a terrace (recto); Calligraphy (verso)

Unknown artist

Album of Daoist and Buddhist Themes

Album of Daoist and Buddhist Themes

Unknown artist

Leaf from a Psalter and Prayerbook: Calendar Page with Labors (recto) and Calendar Page with Peasant (verso)

Leaf from a Psalter and Prayerbook: Calendar Page with Labors (recto) and Calendar Page with Peasant (verso)

Unknown artist

Assembly of Buddhist Deities

Assembly of Buddhist Deities

Unknown artist

The merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night

The merchant Mansur departs on a sea voyage, leaving his wife behind, from a Tuti-nama (Tales of a Parrot): Seventeenth Night

Unknown artist

The Parrot Addresses Khujasta at the Beginning of the Twentieth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Twentieth Night, from a Tuti-nama (Tales of a Parrot)

Unknown artist

Figure 7: Étude du méchanisme et de l'expression du muscle frontal chez un vieillard: à droit, attention; à gauche, repos

Figure 7: Étude du méchanisme et de l'expression du muscle frontal chez un vieillard: à droit, attention; à gauche, repos

Guillaume-Benjamin-Amand Duchenne (de Boulogne)

The Bodhisattvas of the Ten Stages in Attaining the Most Perfect Knowledge; The Eight Hosts of Deva, Naga, and Yakshi

The Bodhisattvas of the Ten Stages in Attaining the Most Perfect Knowledge; The Eight Hosts of Deva, Naga, and Yakshi

Unknown artist

Nanda and the elders, page from a Bhagavata Purana

Nanda and the elders, page from a Bhagavata Purana

Unknown artist

The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra

The Lion's Cave with Sthulabhadra and His Sisters, Folio 60 (verso), from a Kalpa-sutra

Unknown artist

Rack of Clouds from Album of Illustrations for the Tale of Genji

Rack of Clouds from Album of Illustrations for the Tale of Genji

Unknown artist

Khalis repays the prince for his kindness by changing into a snake and sucking the poison from the king’s daughter, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

Khalis repays the prince for his kindness by changing into a snake and sucking the poison from the king’s daughter, from a Tuti-nama (Tales of a Parrot): Eighteenth Night

Unknown artist

The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Night

The Brahman comes upon a lion who has a deer and a gazelle as his viziers, from a Tuti-nama (Tales of a Parrot): Twenty-first Night

Unknown artist

Mukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

Mukhtar throws his wife Maimuna into the pit, but she saves herself, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night

Unknown artist

Krishna Ferrying Radha Across the Yamuna River (recto); Parivati Placing a Wedding Garland on Shiva (verso)

Krishna Ferrying Radha Across the Yamuna River (recto); Parivati Placing a Wedding Garland on Shiva (verso)

Unknown artist

Royal Elephant Ramkali with a Mahout

Royal Elephant Ramkali with a Mahout

Unknown artist

Rama and Lakshmana slay the demon giant Viradha, from Chapters 2 through 4 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey)

Rama and Lakshmana slay the demon giant Viradha, from Chapters 2 through 4 of the Aranya Kanda (Book of the Forest) of a Ramayana (Rama’s Journey)

Unknown artist

Krishna Lifts Mount Govardhan, from a Bhagavata Purana

Krishna Lifts Mount Govardhan, from a Bhagavata Purana

Unknown artist

Krishna and Radha Quarreling: Shatha Nayaka, from a Rasikapriya

Krishna and Radha Quarreling: Shatha Nayaka, from a Rasikapriya

Unknown artist

A Disconsolate Lady on a Terrace with Attendants

A Disconsolate Lady on a Terrace with Attendants

Unknown artist

Krishna Exacts a Toll from the Milkmaids: Dana-Lila, from a Bhagavata Purana

Krishna Exacts a Toll from the Milkmaids: Dana-Lila, from a Bhagavata Purana

Unknown artist

Five Poses of Krishna Making Love, from a Bikaner Bhagavata Purana

Five Poses of Krishna Making Love, from a Bikaner Bhagavata Purana

Unknown artist

Ascetic Princess with Snakes in a Wilderness: Asavari Ragini, from a Ragamala

Ascetic Princess with Snakes in a Wilderness: Asavari Ragini, from a Ragamala

Unknown artist

Shri Raga, from a Ragamala (Garland of Melodies)

Shri Raga, from a Ragamala (Garland of Melodies)

Unknown artist

A woman mistakes a cow for the Angel of Death, from a Lights of Canopus (Anwar-i Suhaili) of Kashifi (Iranian, d. 1504)

A woman mistakes a cow for the Angel of Death, from a Lights of Canopus (Anwar-i Suhaili) of Kashifi (Iranian, d. 1504)

Unknown artist

Gatehouse from Album of Illustrations for the Tale of Genji

Gatehouse from Album of Illustrations for the Tale of Genji

Unknown artist

Still Life: Bouquet of Flowers Emerging from the Grass

Still Life: Bouquet of Flowers Emerging from the Grass

Unknown artist

Krishna and Consort on a Palace Balcony with Musicians: Vukharo Ragaputra of Bhairav, from the “Boston Ragamala”

Krishna and Consort on a Palace Balcony with Musicians: Vukharo Ragaputra of Bhairav, from the “Boston Ragamala”

Unknown artist

Portrait of Rao Shiv Singh Chandrawat

Portrait of Rao Shiv Singh Chandrawat

Unknown artist

Portrait of Maharaja Rai Singh of Bikaner (reigned 1574–1612)

Portrait of Maharaja Rai Singh of Bikaner (reigned 1574–1612)

Unknown artist

Sita asks Rama to fetch the golden deer, from the “Shangri” Ramayana

Sita asks Rama to fetch the golden deer, from the “Shangri” Ramayana

Unknown artist

The infant son of the king of Isfahan responds to music, from a Tuti-nama (Tales of a Parrot): Thirteenth Night

The infant son of the king of Isfahan responds to music, from a Tuti-nama (Tales of a Parrot): Thirteenth Night

Unknown artist

The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

The three suitors again begin to quarrel among themselves for the hand of the devotee’s daughter, from a Tuti-nama (Tales of a Parrot): Twentieth Night

Unknown artist

The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

The three young men present themselves as suitors for the hand of Zuhra, the daughter of the merchant of Kabul, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Unknown artist

The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Unknown artist

The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

The princess discovers the dead bodies, with heads severed, of her husband and his Brahman friend, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night

Unknown artist

The prince being taken away for execution on the false complaint of the handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

The prince being taken away for execution on the false complaint of the handmaiden, from a Tuti-nama (Tales of a Parrot): Eighth Night

Unknown artist

Princess Maleine (The Little Madonna)

Princess Maleine (The Little Madonna)

Odilon Redon

Durga Slaying Mahisha

Durga Slaying Mahisha

Unknown artist