Public domain art that prints at 20.3 × 25.4 cm · 8.0 × 10.0 in
Every artwork here has a source file large enough to print at 20.3 × 25.4 cm · 8.0 × 10.0 in and still hit 300 DPI, the threshold where a print looks sharp rather than soft. Computed from actual pixel dimensions.
Works in Public domain art that prints at 20.3 × 25.4 cm · 8.0 × 10.0 in

Das Gastmahl des Trimalchio: pl. I (The Banquet of Trimalchio: pl. I)
Lovis Corinth

Das Gastmahl des Trimalchio: pl. II (The Banquet of Trimalchio: pl. II)
Lovis Corinth

Das Gastmahl des Trimalchio: pl. V (The Banquet of Trimalchio: pl. V)
Lovis Corinth

Das Gastmahl des Trimalchio: pl. VII (The Banquet of Trimalchio: pl. VII)
Lovis Corinth

Das Gastmahl des Trimalchio: pl. XI (The Banquet of Trimalchio: pl. XI)
Lovis Corinth

Die Opferung Isaacs (The Sacrifice of Isaac)
Lovis Corinth

Der Fahnenträger (The Standard Bearer)
Lovis Corinth

Aus dem Tiergarten (View of the Tiergarten)
Lovis Corinth

Sonntagsreiter (Sunday Riders)
Lovis Corinth

Des Künstlers Schwiegermutter (The Artist's Mother-in-Law)
Lovis Corinth

Bildnis K.S. (Portrait of K.S.)
Lovis Corinth

Bildnisstudie H. St. (Portrait Study of H. St.)
Lovis Corinth

Katzenstudie (Study of Cats)
Lovis Corinth

Henny Porten
Lovis Corinth

Titelbild (Title Page)
Lovis Corinth

"Vater, es wird nicht gut ablaufen, bleiben wir von dem soldatenhaufen" ("Father, This Won't Turn Out Well, We should stay away from the gang of soldiers")
Lovis Corinth

"Einer dirne schön gesicht muss allgemein sein wie's sonnenlicht" ("A Pretty Girl's Face is Like the Sunshine")
Lovis Corinth

"Was der blitz! Das ist ja die gustel von blasewitz" ("What's That! It's Gustel von Blasewitz")
Lovis Corinth

Kapuzinerpredigt—"Hetzt sich lieber herum mit der Dirn'" (The Capuchin's Sermon—"He Prefers to Run Around with a Girl")
Lovis Corinth

"Wohl auf, kameraden, aufs pferd, aufs pferd! Ins feld, in die freiheit gezogen!" ("Come On, Comrades, to Horse, to Horse! To Battle, Bound for Liberty!")
Lovis Corinth

Herd of Sheep Under Trees
Max Liebermann

Lamech and Cain
Lucas van Leyden

Battlefield
Karel Dujardin

The Portrait Bust
Hubert Robert

The Ancient Temple
Hubert Robert

The Sarcophagus
Hubert Robert

The Triumphal Arch
Hubert Robert

The Post
Hubert Robert

La promenade du Critique influent
Honoré Daumier

The Visitation
Lucas van Leyden

Saint Jerome in a Cave
Albrecht Dürer

Sebastian Le Clerc
Claude Duflos

Coming Home from the Marshes
Peter Henry Emerson

Setting the Bow-Net
T.F. Goodall

An Eel-Catcher's Home
Peter Henry Emerson

Taking Up the Eel-Net
T.F. Goodall

Gathering Water-Lilies
Peter Henry Emerson

Snipe-Shooting
Peter Henry Emerson

A Ruined Water-Mill
Peter Henry Emerson

The First Frost
Peter Henry Emerson

The Haunt of the Pike
Peter Henry Emerson

Setting Up the Bow-Net
Peter Henry Emerson

Gunner Working Up to Fowl
Peter Henry Emerson

The Fowler's Return
Peter Henry Emerson

Marshman Going to Cut Schoof-Stuff
T.F. Goodall

The River Bure at Coltishall
Peter Henry Emerson

A Reed-Cutter at Work
T.F. Goodall

Towing the Reed
Peter Henry Emerson

Ricking the Reed
Peter Henry Emerson

During the Reed-Harvest
T.F. Goodall

A Marsh Farm
T.F. Goodall

Cattle on the Marshes
Peter Henry Emerson

Cutting the Gladdon
T.F. Goodall

The Gladdon-Cutter's Return
Peter Henry Emerson

Quanting the Gladdon
Peter Henry Emerson

A Rushy Shore
Peter Henry Emerson

'Twixt Land and Water
T.F. Goodall

An Autumn Morning
T.F. Goodall

The Fringe of the Marsh
T.F. Goodall

On the River Bure
Peter Henry Emerson