Hue Index

Public domain art that prints at 20.3 × 25.4 cm · 8.0 × 10.0 in

Every artwork here has a source file large enough to print at 20.3 × 25.4 cm · 8.0 × 10.0 in and still hit 300 DPI, the threshold where a print looks sharp rather than soft. Computed from actual pixel dimensions.

Works in Public domain art that prints at 20.3 × 25.4 cm · 8.0 × 10.0 in

Das Gastmahl des Trimalchio: pl. I (The Banquet of Trimalchio: pl. I)

Das Gastmahl des Trimalchio: pl. I (The Banquet of Trimalchio: pl. I)

Lovis Corinth

Das Gastmahl des Trimalchio: pl. II (The Banquet of Trimalchio: pl. II)

Das Gastmahl des Trimalchio: pl. II (The Banquet of Trimalchio: pl. II)

Lovis Corinth

Das Gastmahl des Trimalchio: pl. V (The Banquet of Trimalchio: pl. V)

Das Gastmahl des Trimalchio: pl. V (The Banquet of Trimalchio: pl. V)

Lovis Corinth

Das Gastmahl des Trimalchio: pl. VII (The Banquet of Trimalchio: pl. VII)

Das Gastmahl des Trimalchio: pl. VII (The Banquet of Trimalchio: pl. VII)

Lovis Corinth

Das Gastmahl des Trimalchio: pl. XI (The Banquet of Trimalchio: pl. XI)

Das Gastmahl des Trimalchio: pl. XI (The Banquet of Trimalchio: pl. XI)

Lovis Corinth

Die Opferung Isaacs (The Sacrifice of Isaac)

Die Opferung Isaacs (The Sacrifice of Isaac)

Lovis Corinth

Der Fahnenträger (The Standard Bearer)

Der Fahnenträger (The Standard Bearer)

Lovis Corinth

Aus dem Tiergarten (View of the Tiergarten)

Aus dem Tiergarten (View of the Tiergarten)

Lovis Corinth

Sonntagsreiter (Sunday Riders)

Sonntagsreiter (Sunday Riders)

Lovis Corinth

Des Künstlers Schwiegermutter (The Artist's Mother-in-Law)

Des Künstlers Schwiegermutter (The Artist's Mother-in-Law)

Lovis Corinth

Bildnis K.S. (Portrait of K.S.)

Bildnis K.S. (Portrait of K.S.)

Lovis Corinth

Bildnisstudie H. St. (Portrait Study of H. St.)

Bildnisstudie H. St. (Portrait Study of H. St.)

Lovis Corinth

Katzenstudie (Study of Cats)

Katzenstudie (Study of Cats)

Lovis Corinth

Henny Porten

Henny Porten

Lovis Corinth

Titelbild (Title Page)

Titelbild (Title Page)

Lovis Corinth

"Vater, es wird nicht gut ablaufen, bleiben wir von dem soldatenhaufen" ("Father, This Won't Turn Out Well, We should stay away from the gang of soldiers")

"Vater, es wird nicht gut ablaufen, bleiben wir von dem soldatenhaufen" ("Father, This Won't Turn Out Well, We should stay away from the gang of soldiers")

Lovis Corinth

"Einer dirne schön gesicht muss allgemein sein wie's sonnenlicht" ("A Pretty Girl's Face is Like the Sunshine")

"Einer dirne schön gesicht muss allgemein sein wie's sonnenlicht" ("A Pretty Girl's Face is Like the Sunshine")

Lovis Corinth

"Was der blitz! Das ist ja die gustel von blasewitz" ("What's That! It's Gustel von Blasewitz")

"Was der blitz! Das ist ja die gustel von blasewitz" ("What's That! It's Gustel von Blasewitz")

Lovis Corinth

Kapuzinerpredigt—"Hetzt sich lieber herum mit der Dirn'" (The Capuchin's Sermon—"He Prefers to Run Around with a Girl")

Kapuzinerpredigt—"Hetzt sich lieber herum mit der Dirn'" (The Capuchin's Sermon—"He Prefers to Run Around with a Girl")

Lovis Corinth

"Wohl auf, kameraden, aufs pferd, aufs pferd! Ins feld, in die freiheit gezogen!" ("Come On, Comrades, to Horse, to Horse! To Battle, Bound for Liberty!")

"Wohl auf, kameraden, aufs pferd, aufs pferd! Ins feld, in die freiheit gezogen!" ("Come On, Comrades, to Horse, to Horse! To Battle, Bound for Liberty!")

Lovis Corinth

Herd of Sheep Under Trees

Herd of Sheep Under Trees

Max Liebermann

Lamech and Cain

Lamech and Cain

Lucas van Leyden

Battlefield

Battlefield

Karel Dujardin

The Portrait Bust

The Portrait Bust

Hubert Robert

The Ancient Temple

The Ancient Temple

Hubert Robert

The Sarcophagus

The Sarcophagus

Hubert Robert

The Triumphal Arch

The Triumphal Arch

Hubert Robert

The Post

The Post

Hubert Robert

La promenade du Critique influent

La promenade du Critique influent

Honoré Daumier

The Visitation

The Visitation

Lucas van Leyden

Saint Jerome in a Cave

Saint Jerome in a Cave

Albrecht Dürer

Sebastian Le Clerc

Sebastian Le Clerc

Claude Duflos

Coming Home from the Marshes

Coming Home from the Marshes

Peter Henry Emerson

Setting the Bow-Net

Setting the Bow-Net

T.F. Goodall

An Eel-Catcher's Home

An Eel-Catcher's Home

Peter Henry Emerson

Taking Up the Eel-Net

Taking Up the Eel-Net

T.F. Goodall

Gathering Water-Lilies

Gathering Water-Lilies

Peter Henry Emerson

Snipe-Shooting

Snipe-Shooting

Peter Henry Emerson

A Ruined Water-Mill

A Ruined Water-Mill

Peter Henry Emerson

The First Frost

The First Frost

Peter Henry Emerson

The Haunt of the Pike

The Haunt of the Pike

Peter Henry Emerson

Setting Up the Bow-Net

Setting Up the Bow-Net

Peter Henry Emerson

Gunner Working Up to Fowl

Gunner Working Up to Fowl

Peter Henry Emerson

The Fowler's Return

The Fowler's Return

Peter Henry Emerson

Marshman Going to Cut Schoof-Stuff

Marshman Going to Cut Schoof-Stuff

T.F. Goodall

The River Bure at Coltishall

The River Bure at Coltishall

Peter Henry Emerson

A Reed-Cutter at Work

A Reed-Cutter at Work

T.F. Goodall

Towing the Reed

Towing the Reed

Peter Henry Emerson

Ricking the Reed

Ricking the Reed

Peter Henry Emerson

During the Reed-Harvest

During the Reed-Harvest

T.F. Goodall

A Marsh Farm

A Marsh Farm

T.F. Goodall

Cattle on the Marshes

Cattle on the Marshes

Peter Henry Emerson

Cutting the Gladdon

Cutting the Gladdon

T.F. Goodall

The Gladdon-Cutter's Return

The Gladdon-Cutter's Return

Peter Henry Emerson

Quanting the Gladdon

Quanting the Gladdon

Peter Henry Emerson

A Rushy Shore

A Rushy Shore

Peter Henry Emerson

'Twixt Land and Water

'Twixt Land and Water

T.F. Goodall

An Autumn Morning

An Autumn Morning

T.F. Goodall

The Fringe of the Marsh

The Fringe of the Marsh

T.F. Goodall

On the River Bure

On the River Bure

Peter Henry Emerson