Hue Index

The Cleveland Museum of Art

Open-access works from The Cleveland Museum of Art, indexed with computed colour palettes and print sizes.

Works in The Cleveland Museum of Art

Stairs in an Italian Garden

Stairs in an Italian Garden

Jean-Claude-Richard Saint-Non

Madonna and Child (after Francisco Bayeu y Subias)

Madonna and Child (after Francisco Bayeu y Subias)

Ramón Bayeu y Subias

A Road in Williamstown

A Road in Williamstown

George K. Warren

Souvenirs d' Artistes (No. 78): Six Marines: Environs de Rouen

Souvenirs d' Artistes (No. 78): Six Marines: Environs de Rouen

Paul Hüet

Bacchanal, the Game of Leap Frog

Bacchanal, the Game of Leap Frog

Laurent Guyot

The Cottage

The Cottage

Charles-Émile Jacque

Ah, it's true, my poor old man, you would be the first to whom I would have made to miss his bus. "But I'll Miss My Bus" "My Customers Have Never Missed Their Bus"

Ah, it's true, my poor old man, you would be the first to whom I would have made to miss his bus. "But I'll Miss My Bus" "My Customers Have Never Missed Their Bus"

Henri Gabriel Ibels

Lithographic Album of 1837: Half-Battalion at Left…Aim!...Fire!...Load

Lithographic Album of 1837: Half-Battalion at Left…Aim!...Fire!...Load

Auguste Raffet

Album of 1831: I want to kill one of Polignac's soldiers.  They did not spare my child (Historic)

Album of 1831: I want to kill one of Polignac's soldiers. They did not spare my child (Historic)

Auguste Raffet

Album of 1831: Freedom or death!

Album of 1831: Freedom or death!

Auguste Raffet

La rue des Quatre Vents

La rue des Quatre Vents

Raymond Ray Jones

Laboratoire

Laboratoire

Hermann Paul

Soldiers Playing Dice

Soldiers Playing Dice

Célestin François Nanteuil

Rooftops of the Administration Building

Rooftops of the Administration Building

Charles Paul Renouard

Tuileries Gardens

Tuileries Gardens

Léon Augustin Lhermitte

The Potato Peelers

The Potato Peelers

Théodule Ribot

Watering Can

Watering Can

Jean-Émile Laboureur

Daphnis and Chloe: Daphnis Puts the Apple into Chloe's Bosom

Daphnis and Chloe: Daphnis Puts the Apple into Chloe's Bosom

Aristide Maillol

Daphnis and Chloe: Daphnis and Chloe at Play

Daphnis and Chloe: Daphnis and Chloe at Play

Aristide Maillol

Description of Egypt: Thebes. Medynet-Abou, Vol. II, Pl. 12

Description of Egypt: Thebes. Medynet-Abou, Vol. II, Pl. 12

Henri Joseph Redouté

Description of Egypt: Thebes. Hypogees Vol. II, Pl. 49

Description of Egypt: Thebes. Hypogees Vol. II, Pl. 49

Antoine Maxime Monsaldy

Description of Egypt: Thebes Byban el Molouk, Vol. II, Pl. 91

Description of Egypt: Thebes Byban el Molouk, Vol. II, Pl. 91

Antoine Maxime Monsaldy

Picturesque Views of Scotland: Brackline

Picturesque Views of Scotland: Brackline

Richard Parkes Bonington

Picturesque and Romantic Trips in Old France, Franche-Compté: Front of the Church at Brou

Picturesque and Romantic Trips in Old France, Franche-Compté: Front of the Church at Brou

Richard Parkes Bonington

Architectural Remains and Fragments: Rouen - Fontaine de la Crosse

Architectural Remains and Fragments: Rouen - Fontaine de la Crosse

Richard Parkes Bonington

Voyages Pittoresques et Romantique dans l'Ancienne France, Normandie: Tour du Gros-Horlage, Évreux

Voyages Pittoresques et Romantique dans l'Ancienne France, Normandie: Tour du Gros-Horlage, Évreux

Godefroy Engelmann

Description of Egypt: Memphis and Environs, Alexandria, Vol. V, Pl. 40

Description of Egypt: Memphis and Environs, Alexandria, Vol. V, Pl. 40

Baptiste Bigant

Description of Egypt: Thebes. Medynet-abou, Vol V, pl. 46

Description of Egypt: Thebes. Medynet-abou, Vol V, pl. 46

Baptiste Bigant

Nursemaids’ Promenade, Frieze of Carriages

Nursemaids’ Promenade, Frieze of Carriages

Pierre Bonnard

Herodias

Herodias

William Walcot

Herodias: Frontispiece, Herodias appeared, coiffed in an Assyrian mitre to which a chin strap was attached to the front

Herodias: Frontispiece, Herodias appeared, coiffed in an Assyrian mitre to which a chin strap was attached to the front

William Walcot

Herodias: Page 3, The citadel of Machaerus rose from the eastern side of the Dead Sea, on a peak of basalt, having the shape of a cone

Herodias: Page 3, The citadel of Machaerus rose from the eastern side of the Dead Sea, on a peak of basalt, having the shape of a cone

William Walcot

Herodias: Page 7, The sun made the cliffs of white marble glitter, and the golden rays on its roof

Herodias: Page 7, The sun made the cliffs of white marble glitter, and the golden rays on its roof

William Walcot

Herodias: Page 13, The tetrarch was awaited by several Galileans, the master of scribes, the chief of the land steward, the manager of the salt mines, and a Jew from Babylon commanding his troops on horse

Herodias: Page 13, The tetrarch was awaited by several Galileans, the master of scribes, the chief of the land steward, the manager of the salt mines, and a Jew from Babylon commanding his troops on horse

William Walcot

Herodias: Page 19, The ramparts were thronged with people when Vitellius entered the castle gates

Herodias: Page 19, The ramparts were thronged with people when Vitellius entered the castle gates

William Walcot

Herodias: Page 27, The voice rose: Woe to thee, Pharisees and Sadducees, race of vipers, bursting with pride!

Herodias: Page 27, The voice rose: Woe to thee, Pharisees and Sadducees, race of vipers, bursting with pride!

William Walcot

Herodias: Page 39, The guests filled the banquet hall

Herodias: Page 39, The guests filled the banquet hall

William Walcot

Herodias: Page 45, But now beginning at the farthest end of the banquet hall a murmur of surprise and admiration. A young girl began to enter

Herodias: Page 45, But now beginning at the farthest end of the banquet hall a murmur of surprise and admiration. A young girl began to enter

William Walcot

Herodias: Page 47, Her feet stepped one before the other

Herodias: Page 47, Her feet stepped one before the other

William Walcot

Herodias: Page 53, The head entered and mannaeus held it by the hair, at arm's length, proud from the applause

Herodias: Page 53, The head entered and mannaeus held it by the hair, at arm's length, proud from the applause

William Walcot

Herodias: Page 55, Cul-de-lampe

Herodias: Page 55, Cul-de-lampe

William Walcot

The Beggars: Beggar Woman on Crutches

The Beggars: Beggar Woman on Crutches

Jacques Callot

The Beggars: Old Beggar on One Single Crutch

The Beggars: Old Beggar on One Single Crutch

Jacques Callot

The Beggars: A Mother and Her Three Children

The Beggars: A Mother and Her Three Children

Jacques Callot

The Beggars: Beggar Leaning on a Stick

The Beggars: Beggar Leaning on a Stick

Jacques Callot

The Beggars: Beggar Woman with Her Alms Bowl

The Beggars: Beggar Woman with Her Alms Bowl

Jacques Callot

The Beggars: Obese Beggar with Lowered Eyes

The Beggars: Obese Beggar with Lowered Eyes

Jacques Callot

The Beggars: Blind Man with His Dog

The Beggars: Blind Man with His Dog

Jacques Callot

The Beggars: Beggar Woman Coming to Receive Alms

The Beggars: Beggar Woman Coming to Receive Alms

Jacques Callot

The Beggars: Beggar Sitting Down and Eating

The Beggars: Beggar Sitting Down and Eating

Jacques Callot

The Beggars: Old Woman and Cats

The Beggars: Old Woman and Cats

Jacques Callot

Untitled (Place des Cordeliers)

Untitled (Place des Cordeliers)

Louis-Antoine Froissart

The Moscow Tavern (Le Cabaret de Moskou)

The Moscow Tavern (Le Cabaret de Moskou)

Jean Baptiste Le Prince

The Bull Ring, Ronda, Spain

The Bull Ring, Ronda, Spain

Paul Nash

Totems, Old Shipyard, Rye

Totems, Old Shipyard, Rye

Paul Nash

The Country Bridge (Staplylton Bridge, Bristol)

The Country Bridge (Staplylton Bridge, Bristol)

John Dillwyn Llewelyn

Delineations of the General Character Ramifications and Foliage of Forest Trees: Cedar

Delineations of the General Character Ramifications and Foliage of Forest Trees: Cedar

John Robert Cozens

Entrance to Torumal Paiks Palace

Entrance to Torumal Paiks Palace

A. W. A. Plâté Studio

Jain Temple, Calcutta

Jain Temple, Calcutta

A. W. A. Plâté Studio

Saftar Jung Tomb, Delhi

Saftar Jung Tomb, Delhi

A. W. A. Plâté Studio